In one of the 50 marvelous sketches populating Eugenio Montale’s “Butterfly of Dinard,” a writer named Gerda asks a young man to pretend to be her assistant: “Dig down and find the material for a good ...
Montale does not present broad panoramas of the war. He sees things, events, landscapes, people through the wrong end of the telescope, where, captured in a mute, unchanging presence—in an eternal ...
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