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The above portrait depicts James Skinner (1778-1841), a British officer of Scottish-Indian heritage. It’s part of Sid Pattni’s series of paintings: A Knot in the Thread. “Skinner felt a genuine ...
IT FEELS LIKE THE LIGHT DOES PLAY INTO HER SKIN TEXTURES. YEAH, IN DANIELLE’S GALLERY AND ON SOCIAL MEDIA, THE PORTRAITS STARTED GETTING ATTENTION. THE AMOUNT OF PEOPLE THAT WERE REACHING OUT TO ...
‘Maria’ is a visually stunning film that chronicles the final week in the life of Maria Callas, the American-born Greek soprano who dominated the opera world in the 1950s and '60s. Set in her ...
If you make a purchase via links on this page we will earn commission - learn more The Princess of Wales reaffirmed her penchant for Self-Portrait by wearing a stunning blazer dress from the brand ...
Packing Room Prize winner: Abdul Abdullah’s No Mountain High Enough is a portrait of Jason Phu.Credit: Art Gallery of New South Wales / Jenni Carter Rae painted the view from her bathroom window ...
The $100,000 Archibald Prize winner is Julie Fragar for her portrait of Justene Williams, Flagship Mother Multiverse. It was a unanimous decision made at 7.20am. Fragar said she painted Williams ...
Two first ladies shared a stage when Melania Trump unveiled a giant-sized stamp featuring a portrait of the late Barbara Bush at the White House on Thursday. The current first lady announced that ...
Middleton, 43, also offered a masterclass in poised repetition, stepping out in her beloved white Self-Portrait dress ($670) and black Chanel bag ($5,200). The dress has a business-up-top ...
Julie Fragar has won the $100,000 Archibald Prize for her portrait of friend and fellow artist Justene Williams, Flagship Mother Multiverse (Justene). Fragar — a four-time Archibald finalist ...
Fragar took home the $100,000 prize for her winning portrait of close friend, colleague and fellow artist Justene Williams. “It’s unbelievable,” she said. “You work your whole career imagining this ...
William Shakespeare’s popular star-crossed couple intertwine in musical and romantic disharmony in a reductive refashioning of the iconic play, which makes fortune’s fool out of audiences.