Throughout his distinguished career, Marvin Stamm has been praised for both the art and the craft of trumpet playing. Leonard Feather stated that Mr. Stamm is an accomplished performer whose technical ...

Marvin Stamm has worked with many big band leaders, including units led by Woody Herman, Thad Jones & Mel Lewis and Stan Kenton. But his lyrical style of trumpet and flugelhorn is best heard in small ...

Stamm says, “For me, performing with this group is a pinnacle of sorts because these are the guys with whom I want to play; they are my choice!” Producer: Marvin Stamm Recording and mixing engineer: ...

Trumpeter and flugelhornist Marvin Stamm's recording legacy is astonishing. If you sail through his discography at his Wikipedia entry, his list of recordings runs about a quarter of a mile. In ...

New music comes with each generation, and that's how it played out in the mid-1950s and into the '60s. [Photo above of Marvin Stamm by Marvin S. Orling] Here's another revelation: Rock (and soul and ...

For the Marvin Stamm/Ed Soph Quartet, that's no problem. This is a working unit comprised of gentlemen who not only play together regularly but are temperamentally and musically compatible, to boot.

HOLYOKE - Trumpeter Marvin Stamm, accompanied by the Amherst Jazz Orchestra conducted by UMass music professor David Sporny, will kick off the two-day 12th Annual Jazz Festival at Holyoke ...

1. Who's 'at Talkin"? - Marvin Stamm 05:02 2. Softly, As In A Morning Sunrise - Sigmund Romberg 05:39 3. Ballad For Betsy - Jack Cortner 05:07 4. Etude - Jack Cortner 05:00 5. Secret Love - ...

Trumpeter Marvin Stamm is brilliant in any facet, whether being part of such esteemed ensembles as the Thad Jones-Mel Lewis Orchestra, George Gruntz Concert Jazz Band, John Lewis' American ...

J, Johnson’s haunting Lament along with two originals by Bill Mays and one by Stamm. Marvin says of Ed Soph, “Ed is one of the most musically adventurous drummers, always playing with intensity and ...

Trumpeter and flugelhornist Marvin Stamm just spent a few days at the Brubeck Institute in Stockton, California. While he was there, he worked with jazz musicians visiting the institute from Russia.